I am delighted to be featured in Round 1 of Paste by Numbers - an exhibition in Hull of large-format poster-printed interpretations of the number 1. My piece draws from the pivot point of my ongoing project - the question of ‘home’, and consists of a halftone-processed cut-out of a Native American tipi. Beneath the tipi is the iOS share icon.
The short video piece I submitted for the 1st Years Interim Show, ‘Inseparate’ began as a series of manipulations of old family photographs cut in half and mirrored to become symmetrical. The first of these I made to accompany the recent write-up of my conversation with Naiara Demnitz. On a basic level here I had Rorschach tests in mind, the internal and the external, using the ‘shed’/home symbol I produced in connection to the CG rendering project and had laser-cut and printed, as a frame around the photographs which fade very slowly into one another over the 6 minutes of the animation. Over the photographs I placed a dark sphere which hovers and dissolves almost imperceptibly and obscures the already elusive detail of the image - a kind of ‘blind spot’ - the opposite of a spotlight, the pursuit of information with a function inverted, a struggle to reconcile fragments of image and memory together and a small analogy for dementia. The blurry rotating circles at the beginning of the video are manipulations of glass lantern slides showing x-rays from a human skull.
I am very grateful to those that installed the piece in the space at Camberwell, and was excited to see how it had been presented when I visited at the weekend - I did not expect the loop across 3 screens and this is actually something that I think holds potential for exhibiting similar works in the future - in terms of my piece it seemed to make a kind of sense, the blue light which Janet described as reading like a reference to the digital in itself (additive, processing), glowing and fading, slow firings, ahead and behind, drew attention to the time-bound nature of the work.
I found the MA Summer Shows to have been full of strong work and sensitively curated. I have since been thinking about practicalities of installation and logistics - what exactly might be possible, and as I push forward practically bearing in mind the advice Alejandro reiterated at the VR workshop in February - keep your work concise physically and practically, particularly in terms of technology, in order for it to be received most effectively - important in terms of AR/VR or film.